The Laplace Transform is a particular tool that is used in mathematics, science, engineering and so on. There are many books, web pages, and so on about it.
And yet I cannot find a single decent visualization of it! Not a single person that I can find appears to have tried to actually visualize what it is doing. There are plenty of animations for the Fourier Transform like:
But nothing for Laplace Transform that I can find.
So, I will attempt to fill that gap.
What is the Laplace Transform?
It’s a way to represent a function that is 0 for time < 0 (typically) as a sum of many waves that look more like:
Note that what I just said isn’t entirely true, because there’s an imaginary component here too, and we’re actually integrating. So take this as a crude idea just to get started, and let’s move onto the math to get a better idea:
The goal of this is to visualize how the Laplace Transform works:
To do this, we need to look at the definition of the inverse Laplace Transform:
While pretty, it’s not so nice to work with, so let’s make the substitution:
so that our new limits are just to , and giving:
Which we will now approximate as:
The code turned out to be a bit too large for a blog post, so I’ve put it here:
Note: The graphs say “Next frequency to add: … where “, but really it should be “Next two frequencies to add: … where ” since we are adding two frequencies at a time, in such a way that their imaginary parts cancel out, allowing us to keep everything real in the plots. I fixed this comment in the code, but didn’t want to rerender all the videos.
A cubic polynomial:
A cosine wave:
Now a square wave. This has infinities going to infinity, so it’s not technically possible to plot. But I tried anyway, and it seems to visually work:
Now some that it absolutely can’t handle, like: . (A function that is 0 everywhere, except a sharp peak at exactly time = 0). In the S domain, this is a constant, meaning that we never converge. But visually it’s still cool.
Note that this never ‘settles down’ (converges) because the frequency is constantly increasing while the magnitude remains constant.
There is visual ‘aliasing’ (like how a wheel can appear to go backwards as its speed increases). This is not “real” – it is an artifact of trying to render high frequency waves. If we rendered (and played back) the video at a higher resolution, the effect would disappear.
At the very end, it appears as if the wave is just about to converge. This is not a coincidence and it isn’t real. It happens because the frequency of the waves becomes too high so that we just don’t see them, making the line appear to go smooth, when in reality the waves are just too close together to see.
The code is automatically calculating this point and setting our time step such that it only breaksdown at the very end of the video. If make the timestep smaller, this effect would disappear.
And a simple step function:
I have two opaque images – one with an object and a background, and another with just the background. Like:
I want to subtract the background from the image so that the alpha blended result is visually identical, but the foreground is as transparent as possible.
I’m sure that this must have been, but I couldn’t find a single correct way of doing this!
I asked a developer from the image editor gimp team, and they replied that the standard way is to create an alpha mask on the front image from the difference between the two images. i.e. for each pixel in both layers, subtract the rgb values, average that difference between the three channels, and then use that as an alpha.
But this is clearly not correct. Imagine the foreground has a green piece of semi-transparent glass against a red background. Just using an alpha mask is clearly not going to subtract the background because you need to actually modify the rgb values in the top layer image to remove all the red.
So what is the correct solution? Let’s do the calculations.
If we have a solution, the for a solid background with a semi-transparent foreground layer that is alpha blended on top, the final visual color is:
We want the visual result to be the same, so we know the value of – that’s our original foreground+background image. And we know – that’s our background image. We want to now create a new foreground image, , with the maximum value of .
So to restate this again – I want to know how to change the top layer so that I can have the maximum possible alpha without changing the final visual image at all. I.e. remove as much of the background as possible from our foreground+background image.
Note that we also have the constraint that for each color channel, that since each rgb pixel value is between 0 and 1. So:
Add an option for the gimp eraser tool to ‘remove layers underneath’, which grabs the rgb value of the layer underneath and applies the formula using the alpha in the brush as a normal erasure would, but bounding the alpha to be no more than the equation above, and modifying the rgb values accordingly.
I showed this to the Gimp team, and they found a way to do this with the latest version in git. Open the two images as layers. For the top layer do: Layer->Transparency->Add Alpha Channel. Select the Clone tool. On the background layer, ctrl click anywhere to set the Clone source. In the Clone tool options, choose Default and Color erase, and set alignment to Registered. Make the size large, select the top layer again, and click on it to erase everything.
When the background is a very different color, it works great – the sky was very nicely erased. But when the colors are too similar, it goes completely wrong.
Overall.. a failure. But interesting.